School – Week 11

Rhythm Squares: To set up this rhythm game, I got two white pieces of posterboard and divided them into 4 quadrants. Then I drew quarter notes, half notes, eighth notes, quarter rests, and half rests on index cards. I taped the notes to form different rhythms in each of the boxes, making sure that both posters had the same rhythms. I also put a piece of velcro in each quadrant, and then I took two yellow circles I previously made as tokens for another activity and put the other half of the velcro on the back of those. I asked for two students to come up to the board and gave each of them a token. Then I played one of the rhythms on a drum and the students raced to put their token on the correct rhythm. I’d usually ask the class who was on the right rhythm to keep everyone engaged. This one was really a hit across all my classes — even some of the students who initially said, “I’ll try it but I won’t be good at it,” found some enjoyment out of it. There was just enough of a competition to keep the kids having fun, but not fighting or getting upset over winning/losing.
Credit: Rhythm Squares. I would love to try this game as she actually describes it in her post, but I wanted to come up with an indoor activity, and the idea of the kiddos running didn’t really appeal to me, haha. But I might try it one day during the school summer program!

Grocery Rhythms: This activity I did with my younger classes, mostly. I took strips of paper and wrote different foods on them (mostly from my actual grocery list). I ended up with 1 syllable words (quarter note), 2 syllable words (2 eighth notes), 3 syllable words (2 eighths + 1 quarter), and 6 syllable words (4 eighth notes + 2 quarter notes). I put each rhythm on a paper plate, and the students’ job was to sort the foods on the correct plates. Even for my younger classes without much rhythmic knowledge, they were able to be successful in this activity by sorting by the number of syllables. Then I had them “go shopping” and pick 4 foods. Each person got a turn to play the rhythm of those foods on the drum. I almost made up a rap to go along with it, but never got around to it. Some kids added their own words, like saying “I like to eat” before they started and things like that.
Credit: Musical Groceries. You’ll see here that I took my own twist on this idea, but this is also a great way to go about it.

Pass the Ball: This was just a simple intervention I used with my younger classes. I put on some popular music and we worked on feeling a steady beat by passing a ball around. We started with slow songs (like Radioactive) and gradually worked up to faster songs (like Can’t Stop The Feeling).
Credit: I saw my supervisor use this once in a session.

Carnival of the Animals: For this intervention, I printed out cards that had each animal represented in Saint Saens “Carnival of the Animals.” Each student got a ziplock bag with the animal cards in it. They laid the cards out and listened to the music to guess which animal was being played. We also talked about certain qualities of the animals that were represented in each piece (e.g.: the cheetah was fast, elephant sounded like it was stomping, kangaroo sounded like it was jumping, turtle was slow, etc.)
Credit: This was also a suggestion from my supervisor that she used while she was at this facility!

Drum Circle: I started working on drum circle activities with some of my older classes around this time. I used Kalani’s Let’s All Play Our Drum to start the group, and then I used his Orbit – II game. First I did this by just sending one pattern around, and eventually I tried layering patterns at the same time. Layering the patterns was pretty tricky, so sometimes I stopped the group to process what we could do to make it easier. Some ideas they came up with were only paying attention to the person in front of you, making eye contact, and tuning me out (hello problem solving!). I’ll talk about more drum circle interventions that I learned at a training in my next post!

– Arianna (:


School – Week 8

Music Jeopardy: So here’s a fun little story about always being prepared with back-up strategies! A week or so ago I played a game with my classes, and whoever won got to pick what we did in music the next time. The student who won picked Jeopardy, so I spent a good chunk of time making this Jeopardy game, put it on the Google Drive because the powerpoint was too big to email, and planned to pull it up on the teacher’s computer once I got to class that day (My MacBook Pro doesn’t hook up to the SmartBoards, as far as I know). So that day I had brought a backup of mandalas that were divided into 4 quadrants. If the kids got a little too rowdy during Jeopardy and weren’t listening, I was going to switch to this activity. The plan was to have them pick 4 songs for me to play live, and then they had the opportunity to draw a picture that they thought reflected that song. So I go to log in to the Google Drive on the teacher’s computer in the morning, and lo and behold, the Google Drive is blocked on the school’s internet! Sooooooo I quickly switched to my backup. The next day I come in and spend my entire morning (I usually get to school around 45 minutes early to prep for the day) trying to figure out another file sharing website to use. I tried using DropBox but for some reason it wasn’t working. So after failing miserably to figure out a way to get this file onto another computer, I just brought another back-up to class (this day it was MadLibs songwriting). Finallllllly I went out and bought a flash drive that day so I could put the file on there and plug it into the teacher’s computer. It worked! And we got to do Jeopardy that day. Third time’s the charm, amirite? Pro Tip: Have a flash drive handy. Haha. ANYWAY. Here’s how I laid out Jeopardy:

Category 1: Emoji Lyrics (Shoutout to our intern, Allie, for helping with a lot of the emoji ones)
– These were popular song lyrics that I substituted emojis for certain words.
– Example:


Category 2: Guess The Song
– Just played clip from a popular song for the students to guess

Category 3: Fill In The Blank
– Example: Lately I’ve been, I’ve been ______ _______, dreaming about the _______ that we could be

Category 4: Genres
– Example: This genre of music became much more popular and mainstream in the 2000s and featured superstar artists like Jay-Z, Kanye West, Outkast, Eminem, and many others. (I got this question from a website somewhere)

Category 5: Multi-talented
– The questions here referred to musical artists that also have another talent (such as acting)
– Example: This actress and singer had the “best of both worlds” on her TV show.

I also put an additional twist on this one, because instead of having two teams where they have to ring in using an instrument or something (because that starts a lot of fights and hey sometimes I’m not perfect with who I say responded first), I made it more of a group cohesion experience. Each student got three lifelines (just written on index cards): ask the audience referred to getting help from another staff member in the room, phone a friend allowed them to ask a peer, and 50/50 gave them two options from which to choose for the correct answer. They could choose to hand in these lifelines if they didn’t know the answer, and the entire class was trying to reach a certain score (something I made up). The kids still got upset when they weren’t able to answer questions, so that definitely allowed for some processing of frustration tolerance there.

Music Class & Chill: (I didn’t call it this around my students, haha) This was another option for students to choose when they got to pick the next activity for music class. It was inspired by someone in my 8th grade class one day who exclaimed, “Can’t we just sit and listen to music?!?!” I understood where he was coming from, but obviously I can’t do that every day. So I decided to include it in the options for rewards. I was a little nervous as to how it was going to go, but the class that picked it actually did fairly well. A few of them had suggested songs to listen to, so I put those on a playlist mixed in with a few of my own selections. I really just played the songs while we all just “chilled” and chatted. Honestly, I think it was a good way to continue building rapport and just allowed the students to have some down time. I came in with a structured activity to use as backup (4-song mandalas) just in case things got too out of hand, but all was well! Naturally, I wouldn’t recommend this on a consistent basis, but it might be good for use as an incentive for following expectations.

Picture Songwriting: I really wanted to do songwriting with my little guys for some reason, but they’re not as independent with writing yet, so I tried thinking out of the box a little. Somewhere on the internet (I forget where, eek /:) I read that kids tell stories through drawing. I thought to myself that a song was like a story, so what if they drew a picture that was based on a story they made up, and then they could tell me the story. As they told me the story I would write it down and then sing it. This activity didn’t really turn out like this, but it was still neat to see the outcome. I ended up allowing the students to sing their stories that they drew/wrote. One student actually wrote about all the kids in the class, saying that they were all her friends. Although it wasn’t an original goal, that ended up being a great way to enhance group cohesion. I made sure to emphasize this and encourage interaction between her and her peers.
Credit: Stephenie helped me formulate this one! (:

Science of Sound: I found this experiment on Pinterest and thought it sounded cool! I won’t necessarily go into details here — just click the link for the directions. I’ve only done it with one class so far, and they did start to lose interest sort of quickly (they were more interested in taking the string and tying it around their waist to use as a “tail”). Ideally, I’d like to do a whole “Science of Sound Day” with multiple experiments, but I haven’t found others I’d like to include. A lot of the ones I come across seem to be messy… which is awesome, just probably not conducive to a school environment where I’m moving classroom to classroom. Really not too much therapeutic intention behind this one, but I did hope to reach some of my kids that might not directly be interested in music. I hoped this would be some what new and different for them. I also showed the class this video, because it is REALLY neat, and demonstrates a similar concept using music.

Unknown Songs: In preparation for an activity I’ll talk about in the future, I brought a list of songs that I assumed would be less familiar to my 8th graders and I had them pick ones to listen to. After we listened (recorded, not live), I asked them to share what they thought about the song — what about it did they like/not like, what would they change, etc. I was trying to get them to think critically and expand on their thoughts/explain themselves. Thinking about it now, it might’ve been better if I had a worksheet or something to accompany it. Another thing I would probably change would be to pick songs that sound more like what they listen to, like find rap/hip-hop/pop songs that they might not know, because they were pretty sick of listening to “old” songs by the end of the class period.

– Arianna (:

Healing Shakers

Last week, I experienced one of the most beautiful sessions in terms of energy sharing and shifting; I want to share the (unplanned) interventions that were used in the session.

I had a variety of interventions prepared for my 5/6-year-old (all male) group. I’ve seen them twice prior, and know that they respond really well to movement, instrument playing, and silly songs. My goal with the group was to continue increasing group cohesion and develop those ever-needed social skills. I work with each child individually as well, and keep their individual goals in the back of my mind during sessions. Some of the children need some behavioral modification, and all of them are actively seeking safe ways to tell their story and express themselves. They are all extremely energetic and goofy, and I had yet to see them do anything much below surface level energy or emotion work.

As it goes, I had to trash my entire plan when the two clients came in. They were both in extremely subdued and vulnerable spaces. They each shared something that had happened that day that had made them cry; apparently they had already talked about it together before coming in, and were encouraging the other to speak freely about crying. Because they are still learning to not interrupt each other, I use an egg shaker as the ‘magical speaking instrument.’ Whoever is holding the instrument can share, and to obtain the instrument, you have to raise your hand. Even while they were sharing and supporting each other, I had them use the shaker. When they were done sharing, they stared at me with these incredibly sad and vulnerable eyes. We of course processed some of the things they had talked about, but I could tell that they needed something extra. I gave each child two egg shakers, and prompted them to imagine that these were ‘healing shakers.’ The shakes were going to travel up our arms and make our scrapes stop hurting, travel to our chests and heads and body and everything else that hurt, and help it go away. The boys, who usually hate everything ‘cheesy,’ immediately grabbed onto the idea. I played guitar while they gently shook their instruments. We moved through different parts of our bodies that needed to heal, and eventually started to speed up our instruments to help us ‘feel better.’ We played until they started to relax, and then we played until they started to smile.

I then proceeded with a few of the interventions that I know they like, but significantly more subdued than usual.

Hot Potato: Using only one egg shaker, the clients face each other and toss the egg shaker back and forth while I played guitar. When the guitar stopped, whoever was holding the instrument had to answer a question that I asked. The clients really enjoy the actual tossing and catch part, so we spend a lot more time doing that than answering questions.
Credit: Arianna

Freeze: I had the clients pick an instrument each, as well as choose an instrument for me to play. Each of us took turns being the ‘leader.’ The leader is in charge of yelling “Go!” and “Stop!” or “Freeze!” During the ‘go’ portion, we ran around the room (safely) playing our instruments in any way we wanted. We of course had to stop when the leader told us to. This always results in raucous laughter, because someone inevitably starts yelling ‘gostopgostopgostopgo.’
Credit: Arianna 😉

Story Time w/ Instruments: This group has really started to enjoy assigning instruments to characters in books and playing them when the character is mentioned. Last week we used Goldilocks and the Three Bears, which was a really easy way to teach the concept of character/instrument associations. I had not planned to do this again, but the clients specifically requested the intervention. I used a book that I’ve used a lot recently for discussing anger, The Grouchies. We flipped through the book to find the characters (the boy, the sister, the mom, and the dad), and I let them pick one instrument per character. While I read the book, I simply left space after each mention of a character for the clients to play the appropriate instrument.

I had a few more active interventions planned, but the clients just weren’t in that space. I instead moved them over to my relaxation corner, which is complete with bean bag chairs and dim lighting. I attempted, for the first time in this setting, some guided imagery while playing meterless guitar. Because both clients had mentioned that physical pain had made them cry that day, I used a script from The Relaxation and Stress Reduction Workbook for Kids: Help for Children to Cope with Stress, Anxiety, and Transition that is geared specifically towards pain. I had low expectations for the experience; both boys are very energetic and have a hard time sitting still. I was pleasantly surprised when one of the boys began answering the question prompts (What color do you see?). Both boys visibly relaxed and seemed to respond well to the script. And with that final shift in energy, we ended our session.

I’ve experienced some deep energy shifts in sessions, but never with clients so young. These clients were at the age where they are starting to let go of their magical thinking, but might try ‘healing shakers’ if you spin it just the right way, and they’re in just the right space. I know that the only thing I can expect is to be surprised, especially as a new professional. It was such a good reminder that I can’t ever expect my clients to act or respond a certain way, even if I’ve known them for a few months.